The T-List: Five Things We Recommend This Week

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Friday will see the opening of a new kind of general store in downtown New York, lit by nostalgia and empathy as much as function. Fashion stylist Beverly Nguyen’s first foray into retail, the two-month pop-up boutique Beverly’s NYC, will feature a selection of highly elaborate and affordable housewares – including the perfect martini glass, pepper mill and the cast iron skillet, along with olive oil she produced in collaboration with a family business in Santa Ynez, Calif. – in a Chinatown space that evokes the same feelings of warmth and intimacy as the dinners do. she was throwing regularly before the pandemic in her Manhattan apartment. The interior was a collaboration between Nguyen and two of his close friends, architect Louis Rambert, known for his work with the firm Rafael de Cárdenas, and film producer Kelly McGee (Nguyen’s partner in the project), and presents a floral wallpaper by the New York company Superflower Studio, as well as a personalized kidney-shaped ceramic wrapper by Fefo Studio in Brooklyn. But perhaps Nguyen’s greatest influence was his grandmother, who owned a hardware store in Bien Hoa, Vietnam, in the 1960s; It was only after praying his spirit, when a previous location fell, that Nguyen secured the place. Her family is also represented in a line of simple, ultra-soft napkins and table linens that Nguyen developed with her parents, Vietnamese immigrants who began making clothes after arriving in the United States as refugees in the 1980s. She hopes the space, which was previously a Chinese temple, will feel just as welcoming to its Chinese neighbors, many of whom have lived in the neighborhood for decades, and for newcomers to the city looking to s ‘install here. According to her, “the store is really for anyone who wants to develop their own conversation and their own community.” Beverly’s NYC, 22 Ludlow Street, New York, NY 10002,

For all those who want to eat in a more sustainable and conscious way, the discovery of Pyscis, a gourmet fish canning company from Vienna, will be welcome a. Created by Marwan Saba, the Owner of Hans Reh, a local grocer specializing in canned fish, and his daughter, Song-I Saba, Pyscis sells seasonal pelagic fish sourced from Spanish waters and packaged in limited quantities. His offers include blue mussels, bonitou and two types of sardines, each canned in high-quality olive oil specially chosen to pair well with the fish. “None of the subspecies we use have been overexploited,” Song-I explains of the brand’s sustainability efforts. “These fish, like the bonitard, are less known in the industry, but they are actually healthier: because they are younger, they do not accumulate as many toxins. Each box is wrapped in white parchment paper decorated with a design of the fish inside and held together by a natural rubber elastic. While the methods of preserving unrefrigerated food have remained largely unchanged since 1809, when Napoleon awarded Nicolas Appert – says Father de Canning – 12,000 francs for winning a competition to find the best method of storing rations for his troops, the subtle touches of Pyscis are what makes each box only delicious. On a recent cold at night I rolled the lids over the sardines, hand peeled mussels and tuna. I made a quick salad, softened in butter, and tore up some good bread. I was not feeding an army, but by assembling toast after toast, I felt my resolve return – at least for the evening. Starting around $ 9,

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In the folklore of suburban youth, the mall persists as a symbol of freedom and fantasy. Or that’s what the multimedia artist believes Maggie Lee, whose latest installation, “Daytime Sparkles”, debuts at Nordstrom this week in partnership with the Whitney Museum’s Emerging Artists Program. Lee, who grew up visiting her mother after school in the New Jersey department store where she worked, describes her time in those spaces as dominated by pop music, ever-changing displays, and boutique-specific scents. . For her installation, she was inspired by these memories, as well as her own Y2K the girl-power style and the 1996 Mixtape by DJ Screw “Ballin in da Mall”, to create a piece that speaks to self-discovery and independence in adolescents. Located on the fifth floor of Nordstrom’s flagship in New York, on West 57th Street, the artwork features two rust-colored sofas that frame a coffee table, in which Lee has stored a range of Nordstrom products, and atop two TVs analog playing DIY -style commercials that the artist filmed himself. The high white walls surrounding the stage are adorned with sparkling shapes, colorful LED-lit windows, ‘No Loitering’ panels and a massive projection of a candelabra dripping into necklaces, while a personalized pop song created by Lee in collaboration with composer and artist Stefan Tcherepnin plays in the background. Buyers are expected to engage in the installation – stretch out on the sofas, move their heads to the sound of music – become one with the artwork and showcasing precisely what Lee is longing for: a public gathering place, where younger versions of ourselves can run free. “Daytime Sparkles” will be on view until May 16, 225 West 57th Street, New York, NY 10019.

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Born in the Mexican state of Jalisco, the artist Martin ramirez left for California in 1925 to work on the railroads and in the mines. When the Great Depression struck, Ramírez, who did not speak English, found himself without a job or housing, and was arrested by police and unwillingly admitted to a public hospital; he was eventually diagnosed with catatonic schizophrenia. He would spend the last 30 years of his life in mental institutions, where he remained alone but produced a body of drawings incorporating images of Catholic saints, cowboys and railroad tracks, as well as complex geometries. Since his death in 1963, he has been widely recognized as a self-taught master and has been the subject of various major museum exhibitions. Today it is celebrated by French fashion label Lemaire, which, in partnership with the artist’s property, sent clothes in cotton-linen, dry silk and cotton voile printed with Ramírez’s work on the (virtual) podium last fall. Sarah-Linh Tran, the co-creative director of the house, says the artist’s tragic story resonates with our times, but it’s not what she sees first: “What’s striking is this. he had the power to transcend isolation and create an intimate topography. And surely, the earthy tones and the precision of the drawing of the works naturally matched Lemaire’s aesthetic. The brand has honored the latter by avoiding a copy-paste approach and allowing Ramírez’s crisp line work to inform the silhouette of each piece, such as with a shirt with a crooked button that appears to create a step for the subjects of “Horse and Rider” (1953), reinforcing the feeling that they are on the move. Tran’s favorite design is a parachute dress adorned with a Mexican Madonna. “It’s like she’s playing hide and seek around the wearer’s body,” she says. The capsule collection will launch on April 2. Starting at $ 295,

Monument Lab, a Philadelphia-based creation studio founded in 2012 by Paul Farber and Ken Lum to facilitate community engagement with public art through exhibitions and research initiatives, recently launched a reality app augmented free: OverTime. Developed in collaboration with the production company Dream Syndicate and supported by the Knight Foundation, the software allows users to embark on free historical tours of the city. The app’s maiden journey begins on the steps of the Philadelphia Museum of Art and is led by local poet and activist Ursula Rucker. Scan the ground with your smart device and Rucker appears on the screen, welcoming you to Philadelphia. From there, users choose from three different tour options: there’s the Virtual Timeline of Life, which takes users from 10,000 years before the Common Era to 2021; City Sightlines, which traces the development of Philadelphia from a “green country town” to a prosperous city; and Statues of Stories, which delves into the history of the statue of Rocky Balboa and other commemorated figures. Each route allows participants to explore tales hidden beneath their feet, such as the fact that the steps of the museum – and part of the building itself – were designed by African-American architect Julian Abele in the early 20th century. , or before the arrival of William Penn. in 1682 the land was inhabited by the Lenape, the indigenous peoples of the region. Throughout the tour, Rucker asks users to answer three questions: “What happened here?” What do you see from here? What does this statue mean to you? Submitted via the app, the responses become, according to Farber and Lum, part of the city’s collective memory. It’s a gesture that Rucker herself agrees with: “Should we even call them monuments?” she said of statues and public institutions. “All of our memories matter. We are our own monuments. ” Download the app here for iOS. An app for Android users will be available later this year.

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